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Tom Kim’s Renaissance — How a Bogey-Free Sunday 64 Changed Everything

5-min read · 1060 words

TOUR LIFE · TOM KIM PROFILE · JULY 2026

Tom Kim shot a bogey-free 64 in the final round of the 2026 Scottish Open at The Renaissance Club on Sunday and, in the process, ended a three-year drought that had reached the point where his career trajectory was being quietly reassessed by the golf media. He is 23 years old. He turned professional at 15. He was, at 20, the youngest player in a decade to win multiple times on the PGA Tour. And then, between 2023 and this past weekend, he did not win once. The story of what happened in those three years — and what happened on Sunday at The Renaissance — is one of the more interesting comeback narratives in current professional golf.


The Prodigy Phase

Tom Kim — born Kim Joo-hyung in Seoul, South Korea, in 2002 — arrived on the PGA Tour in 2022 with the kind of resume that generates immediate expectation. He had already won on the Asian Tour, on the DP World Tour, and on the Korn Ferry Tour. He was twenty years old. His swing was compact, technically clean, and famously reproducible. His putting stroke, developed in the Korean junior golf system’s obsessive putting-green culture, was as consistent as any young player’s on tour. Within his first calendar year on the PGA Tour, he won twice — the Wyndham Championship in his rookie year, and the Shriners in his sophomore year. He became the youngest player since Tiger Woods to reach two PGA Tour wins before his 22nd birthday.

And then, having established himself as the most promising South Korean player in a generation and one of the most interesting young talents in the game globally, he stopped winning. The 2024 season passed without a victory. The 2025 season passed without a victory. His world ranking, which had briefly touched the top 15, drifted downward through the top 20 and then out to the top 30 and then to the top 40. He continued to make cuts, continued to earn well, continued to be a competent tour professional — but the specific fire that had produced his early wins seemed to have dimmed. The prodigy narrative, which had defined him for so long, was quietly being replaced by a more sobering assessment: perhaps he had peaked early. Perhaps this was who he was going to be.

“I got so caught up in trying to figure out why I wasn’t winning that I stopped playing golf and started playing something else. Something with too much analysis. Something with too much thinking. This spring I decided to just play golf again. Just hit shots. It took a while to work.” — Tom Kim on his three-year drought

What Actually Happened

The technical diagnosis of Kim’s three-year drought has been, depending on who you ask, one of the following: a mechanical issue with his swing path that emerged during a 2024 equipment change and was never fully corrected; a slight but persistent putting stroke drift that reduced his short-range conversion rate by four to six percentage points; a mental adjustment to the specific pressure of being expected to win on a PGA Tour where the top of the leaderboard was becoming more crowded with each passing season. Kim himself has generally described it in different terms — as a matter of losing something like joy in the game, of over-analysing, of playing worried golf when what he needed to play was confident golf.

What is clear is that this spring, something changed. He worked with a new putting coach. He simplified his pre-shot routine. He publicly stopped talking about specific technical adjustments in interviews and started, instead, talking about “just playing golf.” His T-2 at the US Open at Shinnecock in June — behind Wyndham Clark, alongside Sam Burns — was the first signal that something had turned. His 64 at The Renaissance on Sunday was the confirmation.

The 64

The final round of the Scottish Open began with Kim four strokes back of the co-leaders — Rory McIlroy, Jordan Smith, and Matt Fitzpatrick. He birdied the first. He birdied the third. He birdied the fifth. By the turn, he was tied for the lead at eight-under. He made birdie at the eleventh, again at the fourteenth, again at the sixteenth. He hit sixteen greens in regulation. He needed twenty-six putts. His scorecard, when he signed it, showed six birdies and twelve pars, without a single dropped shot on a Sunday leaderboard where every player behind him was making at least one bogey. It was the kind of round — technically clean, mentally uncluttered, executed with the visible calm of a player who has stopped fighting his own game — that announces a return.

McIlroy chased him. Fitzpatrick chased him. Bob MacIntyre, the Scottish local hero, chased him. None of them caught him. The winning margin was one stroke over McIlroy, who had made his own bid with a Sunday 66 but who conceded, in the post-round interview, that “Tom just had one of those rounds where you know he’s not going to make a bogey. He didn’t. It was the kind of Sunday that wins tournaments, and it did.”

Royal Birkdale

Kim arrives at Royal Birkdale this week ranked as the most in-form player in the field. His momentum is undeniable. His confidence, evident in the post-round interview at The Renaissance, is at a level he has not publicly displayed in three years. And links golf, in the specific way it rewards ball flight control, imagination around greens, and steady tactical decision-making, suits the game he has recovered. He is not the pre-tournament favourite — that is still Scheffler at +700 — but he is one of the six or seven players you should watch closely across the four days.

Whether Tom Kim wins the 2026 Open Championship at Royal Birkdale or not, the story of his 2026 summer is now, retrospectively, a story of return. The prodigy who briefly looked like he might never quite deliver on his promise has, in the span of six weeks — a T-2 at Shinnecock, a bogey-free Sunday 64 at The Renaissance, a serious appearance in the Open Championship betting markets — reasserted himself as one of the most talented players in the current game. The next chapter is being written. Whatever it says, this summer is the one where Tom Kim came back.